Honi Hameagel - meaning and definition. What is Honi Hameagel
Diclib.com
ChatGPT AI Dictionary
Enter a word or phrase in any language 👆
Language:

Translation and analysis of words by ChatGPT artificial intelligence

On this page you can get a detailed analysis of a word or phrase, produced by the best artificial intelligence technology to date:

  • how the word is used
  • frequency of use
  • it is used more often in oral or written speech
  • word translation options
  • usage examples (several phrases with translation)
  • etymology

What (who) is Honi Hameagel - definition

AMERICAN TAP DANCER (1911-1992)
Charles "Honi" Coles; Honi Coles; Coles, Charles

Honi HaMe'agel         
  • Tomb of Honi HaMe'agel's grandsons in [[Hatzor HaGlilit]], [[Galilee]]
TANNA
Honi ha-Magel; Ha-Me'aggel; Honi the Circledrawer; Honi the Circle-Maker; Choni Hamaagel; Honi the Circle-drawer; Honi the circle-drawer; Choni the Circle-drawer; Choni the circle-drawer; Khoni the circle-drawer; Khoni the Circle-drawer; Honi the Circle-maker; Honi HaM'agel; Honi ha-Me'aggel; Choni ha-Me'aggel; Onias ha-Me'aggel; Honi ha-Me'agel; Honi ha-M'agel
Honi HaMe'agel (חוני המעגל Khoni, Choni, or Ḥoni; lit. Honi the Circle-drawer) was a Jewish scholar of the 1st-century BCE, during the age of the tannaim, the scholars from whose teachings the Mishnah was derived.
Honi language         
LANGUAGE
ISO 639:how; Won language; Hao-Bai language
The Honi language (豪尼語), also known as Haoni, Baihong, Hao-Bai, or Ho, is a language of the Loloish (Yi) branch of the Tibeto-Burman linguistic group spoken in Yunnan, China. The Chinese government groups speakers of this language into the Hani nationality, one of China's 56 recognized nationalities and considers the language to be a dialect of the wider Hani languages.
Honi soit qui mal y pense         
  • The motto appears in a royal coat of arms of the 17th century on the ceiling of [[Bath Abbey]].
  • Motto on a cannon of [[Edward VII]] on [[Elephanta Island]], [[India]]
  • Motto on cannon at [[Fort Denison]], Sydney
  • [[Hand fan]] of [[Queen Victoria]] with motto
  • Honi soit qui mal y pense}}.  Picture from a 16th-century depiction
ANGLO-NORMAN MAXIM
Honni soit qui mal y pense; Motto of the Order of the Garter; HONI SOIT QUI MAL Y PENSE
(, , ) is a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it" It is the motto of the British chivalric Order of the Garter, the highest of all British knighthoods, except in Scotland.It is sometimes translated with masculine gendering: as in "May he be shamed who thinks badly of it" () However, although grammatically honi (in today's French honni) is masculine, conventionally masculine was the default gender to use during the Anglo-Norman period, when talking about someone whose gender is unknown or unspecified, so that technically females are not excluded from the application of the phrase.

Wikipedia

Charles Coles

Charles “Honi” Coles (April 2, 1911 – November 12, 1992) was an American actor and tap dancer, who was inducted posthumously into the American Tap Dance Hall of Fame in 2003. He had a distinctive personal style that required technical precision, high-speed tapping, and a close-to-the-floor style where "the legs and feet did the work". Coles was also half of the professional tap dancing duo Coles and Atkins, whose specialty was performing with elegant style through various tap steps such as "swing dance", "over the top", "bebop", "buck and wing", and "slow drag".

He appeared in the films The Cotton Club and Dirty Dancing, as well as the documentary Great Feats of Feet. Coles was also a tap-dancing companion of tap dancer Brenda Bufalino, the founder and director of the American Tap Dance Foundation. During his career, Coles was awarded the Dance Magazine Award in 1985, the Capezio Award for lifetime achievement in dance in 1988, and the National Medal of the Arts by President George H. W. Bush in 1991. He was a tap mentor who believed, "If you can walk, you can tap." Coles advocated for the development of tap dance and often claimed that "tap dance was the only dance art form that America could claim as its own".